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The Norfolk Hotel

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Located on the corner of Walker Street at 305 Cleveland St, Redfern, the Norfolk Hotel is a quaint Art Deco style hotel with a prominant facade. It was purchased by Tooths & Co in the 1930's and plans were submitted to Council in 1939 for alterations designed by Sidney Warden to modernise the building. The main feature was the extension of the street awning up Walker street and removing the gabled tiled roof. The ground floor walls were tiled following the fashion of the day and the first floor exterior walls were painted instead of the more popular raw brick. Today the tiles are gone and the whole hotel has been painted over to *improve* and *modernise* its appearance. At the time of writing blue neon tubes highlighted the hotel's Art Deco lines in the evening. Nice. Similar treatment was given to the St George Tavern in Rockdale. Up to 2007 it had already undergone major renovations inside leaving little of the original decor remaining. It still posseses some charm a

Dental Hospital

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The Dental Hospital at 2-28 Chalmers St, Surry Hills, is one of the best examples of the interwar Functionalist style in Sydney CBD with strip windows in surrounds and strong horizontal lines demonstrating key characteristics of the style. With an illuminated tower of glass and long bands of windows that emphasised its striking wedge shape, the Dental Hospital of Sydney drew international attention for its world-class design and oral hygiene services. The original Dental Hospital on this site was built in 1910. By the early 1930s the building could no longer cope with the demands of the public and the requirements of the advancing dental profession. The new building, completed in 1940, one of the first to be partially paid for by a grant from the State Lottery, secured Sydney's place as a world leader in dental hygiene services. The new Dental Hospital was designed by distinguished architecture firm Stephenson & Turner (formerly Stephenson & Meldrum) that served the du

Petersham Town Hall

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The first Petersham Town Hall was built on this site at 105 Crystal Street in Petersham in 1882. In 1937 a plan for a new town hall, prepared by architects Rudder & Grout, was accepted and the old hall demolished. The new building was opened in July, 1938. Much of the interior has been retained and the hall itself has some nice detailing. The building is listed in the RAIA Register of significant 20th century buildings. The hall had a brush with fame when some of the flamboyant dancing scenes from director Baz Lurhmann's 1992 film "Strictly Ballroom" were filmed in its main auditorium. The Clock Tower detail The imposing Art Deco interpretation of a classic Greek temple entrance The auditorium above left and detail of the ceiling lights Sources: Sydney Heritage Listing Marrickville Council website

Rockdale Town Hall

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A Rockdale landmark, the Rockdale Town Hall at 448 Princes Highway was designed by Douglas Babbington Gardiner and built in 1940 to replace the original hall (designed by William Kenwood) on the site. This was all part of a general road widening scheme for the Princes Highway at the time. The building has simplified Art Deco details on the exterior which are similar to the Petersham Town Hall. The interior of the hall has elaborate art deco plaster details on the walls and ceiling. The building is associated with public events such as the coronation of Queen Elizabeth in 1953. It is listed in the RAIA 20th Century Register Of Significant Buildings. Clock tower detail View of the auditorium Auditorium ceiling light Sources: NSW Heritage Database

Charing Cross Hotel

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The Charing Cross Hotel at 81 Carrington Road in Waverley is little changed since it replaced an inn built on the site by William Newland in 1857. Originally known as Newlands Inn, its name was changed to the Charing Cross Hotel in 1859. The original hotel was demolished and rebuilt circa 1935. The newer building, designed by Sidney Warden, was featured in the journals "Decoration and Glass", Vol. 2, No. 3, July 1936.(see below) The hotel is one of three Art Deco hotels in the immediate vicinity. The Robin Hood hotel is directly opposite on Bronte Road while the Tea Gardens hotel is just a 10 minute walk towards Bondi Junction. Facade detail Upstairs verandah "The Public Bar, where glass and stainless steel sing the triumph of modernity and modern materials.White opal glass is used in the unusual light fittings which conceal the structural support of the glass and steel canopy." "Decoration and Glass", Vol. 2, No. 3, July 1936."

The Century Hotel

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Originally known as Askeys and then as Caseys until March 1940, the Century Hotel was purchased by Tooth & Company in July 1923. Located at 389 George Street Sydney it was originally only two storeys. On completion of rebuilding in January 1941 the Century Hotel was a six storey brick structure, with a malthoid roof and a fully tiled ground floor exterior. The architectural style is known as P. & O. Ship style because of its similarities to ocean liner forms. It is historically significant as part of a group of hotels like the Great Southern Hotel further along George Street, and the Hotel Broadway. It was an important building in the professional career of the architectural partnership of Rudder and Grout, most noted for their hotel designs. It is aesthetically significant as a rare and outstanding example of a highly intact original Art Deco Hotel with an exterior and some intact interiors of high quality design. The Liverpool street facade is shown below I

James Smith's Market

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There are five buildings that make up the complex still popularly known as James Smith's. The main corner building was designed by architects Penty and Blake, and was constructed in 1907 for George Winder, an ironmonger and importer who had owned the land since 1898. The location was formally known as "Winder's Corner". James Smith purchased the site in 1921 and, in 1932, architects King and Dawson supervised a complete refurbishment of the building, including a new facade. The heavy Edwardian character of the original building can still be guessed at in the arrangement of windows, particularly in the paired round-headed windows of the top (fourth) floor. Otherwise the style is now Art Deco, with emphatic vertical piers, stepped skyline, fluted frieze at parapet level, and typical 1930s lettering that runs vertically down the central column on the Cuba Street/Manners Street corner. This character follows through into the interior spaces. A picture of an interi